Will "Radio" Kill the Blogging Star?

I'm toying with the idea of starting a podcast.

I've actually been toying with the idea for a while, but I'm getting closer to actually doing it.

The working title is Dekahedron, mainly because I own the domain name and I'm not doing much with it. By that same theory, I suppose it could just be the Snowgen podcast, but I actually have a nifty logo for Dekahedron that I paid artist/graphic designer DesignKat to create for me.

The thought is that I will host it on Anchor. I even have set up the account already. You can look at the public page, but there isn't anything there yet.

I want to do a ten minute episode once a week about the same topics I cover here. I've asked James to join me for the first episode because I find Podcasts with two voices are generally better than solo podcasts. Whether or not he would be a permanent "cast member" remains to be seen. I'm not sure how the technology will allow us to record together, and I predict scheduling issues.

On a side note, I'm in Rhode Island as I type this. But I'm driving back to upstate/western New York tonight.

Proof that D&D Occurs in the Star Trek Universe

It's no secret that I like mixing elements of Star Trek into my fantasy world. I've written about it here and here. I have various reasons why I feel that this is justified, but let me give you proof that the world of D&D is set in the Star Trek universe.

Orcs

This is a picture of orcs from the 1977 AD&D Monster Manual. It was drawn by David C. Sutherland III. Fans refer to it as the "pig faced orcs" drawing. This led to some people calling them "Porcs."

Tellarites

This is a picture of Ambassador Gav, a Tellarite. The picture is from Star Trek's 1967 episode "Journey to Babel." Tellarites are one of the five founding races of the Federation.

Conclusion

Clearly, pig-faced orcs and Tellarites are the same species!

And what's with Vulcans and Elves both having those pointy ears?

Epilogue

That's all for this week.  Just a fun little post.

Attribute Generation in Lucky 7, Part 2

At the beginning of last month I wrote 3 methods for generating attribute scores in Lucky 7. This week I’d like to give two more methods. Maybe it’s one method with a option.

Whatever.

Method 4:

This gives a good blend of diversity and player agency. Disadvantages are that it involves player decisions which might slow things down, and you you need this silly chart:

	1–3	4–6
1	-2, -2, -1, +2, +2, +2	-2, -2, ±0, +1, +2, +2
2	-2, -2, +1, +1, +1, +2	-2, -1, -1, +1, +2, +2
3	-2, -1, ±0, ±0, +2, +2	-2, -1, ±0, +1, +1, +2
4	-2, -1, +1, +1, +1, +1	-2, ±0, ±0, ±0, +1, +2
5	-2, ±0, ±0, +1, +1, +1	-1, -1, -1, ±0, +2, +2
6	-1, -1, -1, +1, +1, +2	-1, -1, ±0, ±0, +1, +2
7	-1, -1, ±0, +1, +1, +1	-1, ±0, ±0, ±0, ±0, +2
8	-1, ±0, ±0, ±0, +1, +1	±0, ±0, ±0, ±0, ±0, +1

Step 1: Roll a 1d6 and 1d8 and cross reference on the silly chart.

Step 2: This gives a group of attribute scores. Assign each score to the attribute of your choice.

Method 5:

This is a variation of the above that removes player agency for the benefit of speed.

Step 1: Roll a 1d6 and 1d8 and cross reference on the silly chart.

Step 2: For each of the scores, roll 1d6 to determine where to put the score. If that attribute has already been assigned a score, re-roll:

Roll	Attribute
1	Strength
2	Intelligence
3	Wisdom
4	Constitution
5	Dexterity
6	Charisma

Epilogue

What do you think? Is that too complicated?

It came to me as an easier way to make more diverse characters. It made more sense using only 3 attribute scores (which is where I think I’m taking Lucky 7). With three scores the silly chart only has 4 entries instead of 16.

If I decide to commit to three attributes instead of 6 that will be another post.

Speaking of other posts, James gave me an idea for a future posts. He wants me to discuss original weapon damage (where every weapon did 1d6) vs later weapon damge (where each weapon does its own damage like 1d6 or 1d8). That will be in a few weeks, I think.

The Origin of Monsters

Starting in the mid-to-early 1980’s, Dragon magazine ran a series of “The Ecology of <monster type>” articles. They were a good read, and the younger me thought they added much needed detail to the various monsters and how they fit into the world.

Every coin has two sides, and the older me disagrees with the younger me. The articles are still a good read, but in the words of Aaron E. Steele the series “made the mysterious and inscrutible, mundane.”

These days I feel that a fantasy word should not be 100% grounded in realism. In fact, I feel that eschewing scientific realism creates a better fantasy. Consider that in the middle ages it was commonly held that life forms sprang forth from nothing. Also consider that Greek Mythology stated the the pegsus and other creatures were created by drops of Medusa’s blood falling to the earth. If you provide modern scientific rationale to everything, you lose the ancient or medieval feel.

My Answer: Chaos Storms

As we’ve said before, Gob is the God of Chaos in my world. His powers are limited in heavily lawful areas (just as Hume’s powers are limited in heavily chaotic areas). But he has more power on the fringe areas where the forces of Law are just starting to press in the the Chaos Lands. In order to try to maintain these regions for himself, he will often create Chaos Storms.

Chaos Storms are very powerful thunderstorms. They are often accompanied by large hail and tornadoes. Sometimes they also contain Chaos Lightning, also called Red Lightning. Wherever Chaos Lightning strikes the ground, it creates a group chaotic monsters–complete with lair!

For example: the town of Muddy Falls is a settlement on the border of the Chaos Lands. A generation ago the baron cleared the area of chaotic beasts and monsters. One night there is a Chaos Storm, and some of the town-folk swear that they saw a streak of Red Lightning hitting a few miles to the west. When the party investigates, there is now a small orc village where the lightning was seen.

Epilogue

That’s all there is. It’s a simple idea that doesn’t need a lot of explanation.

I like the idea, but it has to be used lightly. Having a Chaos Storm every week will get old fast. It should be limited to maybe twice in a campaign.

What do you think?

Plumpton: A Compromise Setting

I’ve had symptomatic Covid this past week. It was (thankfully!) a mild case, but it did suck all the energy from me. As a result, this post is a little later than usual. Sorry about that.

As I’ve said before, I like a human-based campaign. Instead of high fantasy, I want set my games in a sword & sorcery or sword & sandal setting. What’s the difference? In the words of Wikepedia:

the consensus characterizes it [sword & sorcery] with a bias toward fast-paced, action-rich tales set in a quasi-mythical or fantastical framework. Unlike high fantasy, the stakes in sword and sorcery tend to be personal, the danger confined to the moment of telling.

In other words, the adventurer’s aren’t trying to save the word—they’re trying to save themselves! This matches nicely with the low level character play that I enjoy. Furthermore:

Many sword and sorcery tales have turned into lengthy series of adventures. Their lower stakes and less-than world-threatening dangers make this more plausible than a repetition of the perils of epic fantasy.

In other words, it doesn’t make sense to have to save the world from a new danger every week.

James Disagrees

Needless to say, James disagrees. He’s a big fan of high fantasy. He wants his elves, dwarfs, and halflings. He want his character to encounter evil orcs, goblins, kobolds, etc.

Amongst other things, I think he likes the moral clarity of knowing that his character can kill a band of goblins and not feel guilty about it.

My Compromise: Plumton

Humans come from the great continent. It doesn’t need too much backstory, because it’s gone. Maybe it sank. Or maybe huge volcanic eruptions made it unlivable. Or maybe winter came, and covered it all in ice making it uninhabitable. Maybe it was all of the above.

In any case the humans built a flotilla. It wasn’t an organized flotilla under the direction of a great leader, but the desperate grab of whatever would float but disorganized bands of survivors. Think of every zombie apocalypse show you’ve seen.

The ships set out in every direction. We have no idea what happened to most of them, but many landed on the eastern shores of a new continent. One such group set up the settlement of Plumton, named after some wild¹ plum trees that were found growing near the landing spot.

Humans were the only intelligent race living on the great continent. They were completely unaware that any others existed. But in this new world, they find the classic races of high fantasy. They first encounter the elves.

The thing is, the elves don’t want the humans there. The elves (correctly) see the humans as parasitic invaders that will drain the land of resources that the elves desperately need. The elves are familiar with this, as they’ve been fighting off the invasion of goblins from the west.

Politics in this world are volatile. War and alliance shifts with the wind. Humans might be allied with the elves against the goblins this month, but next month orcs and men might be raiding an elven grove.

Epilog

That’s it. Just a simple idea. It gives James the non-humans he wants in the world, but it gives me the human-centric stories I want to tell. The reflection of real history is intentional. The humans are the British (who were masters of pitting different local groups against each other until only the British could dominate). “Plumton” is from the origins of the word “Plymouth.” Making the human’s plight a desperate fight for survival rather than seeking economic gain is my attempt to alleviate the moral issues of colonialism.

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1. Technically this is impossible, as plums are a human cultivation, but this is fantasy.↩

Crowfield Magic System Changes

A couple of years agao I posting about Crowfield’s magic system. I’ve made a couple of changes:

Spell Failure

In the original post I said that if the player fails the spell check then “The spell does not take effect, and the character cannot cast any more spells until they get a full night of rest.”

The new version is “The spell does not take effect, and the caster takes 1d6 damage.”

Wait! You mean I can die from casting a spell?

No. Not directly, at least. A failed spell check will never bring you below 1 hit point. If you take more damage than that, the excess is ignored and you fall unconscious. If you happened to be standing on a narrow ledge over a pool of molten lava when you fall unconscious you’ll probably die, but that’s the lava killing you.

How do I regain consciousness?

Starting the round after your spell failure, you can attempt a Constitution save in order to regain consciousness. If you don’t make it that round, you can try again each round thereafter. You can act normally the round after you make the saving throw.

Why did you make this change?

Three reasons: (1) It adds more drama. (2) It makes spell casting a more tactical choice. (3) It de-nerfs higher level spell casters where a single failure made them useless for the rest of the day.

Learn New Spells

In addition to the in-game costs listed in that post, each spell costs 1 XP per spell level.

Epilogue

That’s it for this week. What do you think of the changes? I tried to make it not too deadly!

Bonus Post: Cipher Solved

Last Tuesday I posted a cipher. I had realized that it was vulnerable to letter frequency analysis, but there were a couple of “tricks” in there that I was hoping would slow down anyone trying to solve it.

It didn’t slow Buzz down. Late Saturday night I got a message from him:

…I found chapter 31 and 32 of Treasure Island!

I did this by working with pairs of letters, finding the highest frequencies, mapping those pairs into an a-z grid. The number that I mapped stayed within certain rows and columns and I saw enough of a pattern. Without filling in the rest I ran the encoded text against the grid I had, using underscores for the rest. That resulted in:
_ji_m__s_aid_s_ilv_erw_he__nw_e__wer__ea_l__o_nei_f_is_a__v__e__d…

With the underscores removed and the proper spaces added, that reads:

jim said silver when we were alone if i saved…

How It Works

• Case doesn’t matter. That was just thrown in to add “noise.”
• Each letter in the original text is represented by two letters in the cipher.  The first letter of the letter pair indicates what to do with the second letter:
• If the pair begins with A through F (inclusive) that letter pair is ignored.
• If the pair begins with G through M the second letter is shifted backwards by two letters if the first letter is G, four letters if the first letter is H, six letters for I, etc. Examples:
  • GE = C
  • GF = D
  • HE = A
  • HF = B
• If the pair begins with N through T the second letter is shifted forward by two letters if the first letter is N, four letters if the first letter is O, six letters for P,etc. Examples:
  • NT = V
  • OT = X
• If the pair begins with U through Z that letter pair is ignored.

Buzz made this chart, but he missed the T’s.

What’s Next?

I might make another cipher. Buzz doesn’t have time to crack it, but I enjoy making them.

Oh, and I owe Buzz a beer or something.